解析版画中的迹象.pdf

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1、-5---------ir»NMOIflNtARTStt'^T_!J±£i/«l-—V-fl炎士字UL论文Master’sdegreethesis论文题目：解析版画中的“迹象”学生姓名：胡玉洁~___________________版画艺术创作研究导师姓名：___孙世是_______________毕业吋问：—2Q15^7R天津美术学院研究生部制独创性声明本人声明所呈交的学位论文是我个人在导师的指导下进行的研究工作及取得的研究成果。尽我所知，除了文中特别加以标注和致谢的内容外，本论文不包含其他人已发表或撰写的研宄成果，与我一同工作的同志对本研宄所做的任何贡献均已在论文中作了明确的说

2、明并表示了谢意。‘学位论文作者签名:签字日期：^关于论文使用授权的说明本人完全了解学校有关保留、使用学位论文的规定。同意以下事项：1.学校有权保留本论文的复印件和磁盘，允许论文被查阅和借阅，可以采取影印、缩印或扫描等复制手段保存、汇编学位论文。2.学校有权将本人的学位论文提交至清华大学“中国学术期刊（光盘版）电子杂志社”用于出版和编入CNKI《中国知识资源总库》，传播本学位论文的全部或部分内容。学位论文作者签名:签字日期:“-签字日期：学校代码：10073学号：研1212052106天津美术学院硕士学位论文论文题目：解析版画中的“迹象”作者：胡玉洁学科：美术学研究方向：版画指导教师：

3、孙世亮2015年6月目录目录················································································································1摘要················································································································2Abstract·············································

4、·······························································3序言················································································································4一、“迹象”的概念························································································41.1“迹象”的本义········

5、··················································································41.2绘画中的“迹象”·····················································································4二、“迹象”在版画中的表现············································································52.1技法——产生“迹象”的手段·········

6、······························································52.2风格——“迹象”的不同体现·······································································62.3材料——“迹象”产生的物质载体·································································7三、版画的“迹象”与当代文化··············································

7、·························93.1意境——“迹象”的升华·············································································93.2美——人们对“迹象”的感受·····································································103.3观念需要通过“迹象”来表达·········