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1、倾城旗袍theCheongsamMuseumofthepaintingsseemtowalkaroundwearing,thencarriedawayoverthebodywithoutanyvisible.仿佛穿着博物院的名画到处走，遍体森森然飘飘欲仙Cheongsam,thetraditionaldressofwomen,onehalfofthe20thcenturyreferencetowomenfromtheRepublicofChinaFlagofManchuwomentraditionalclothingandWesternculture,basedont
2、hedesignofafashion,isablendingEasternandWesternculturesconcrete.Inthepresent,someWesterneyes,thefemalecheongsamdresswithChineseculturalsymbolism.旗袍,传统女性服饰之一，在20世纪上半叶由民国女性参考满族女性传统旗服和西洋文化基础上设计的一种时装，是一种东西方文化揉和具象。在现时部分西方人的眼中，旗袍具有中国的女性服饰文化象征意义。Flagtraditionalgowns(Manchu)Solutionfromthewordm
3、eaning,referscheongsambanner(bothmenandwomen)wearrobes,butonlytherobewornbyManchuwomen'sdailyandfuturegenerationsofthecheongsamhasonlybloodrelations,theDPRKasadressrobes,andothercustomaryMangpaohadnoreturnasthe"cheongsam"category.FromJunjiJiaqingrepeatedtheban,theManchuHanwomendressedwo
4、menprohibitedtofollowthetrendof-sheng.TothelateQingDynasty,HanChinesewomenhavetofollowtheManchuoutfit.Manchuwomen'sdressstyle,blendingquiet,sothatthedifferencebetweenthetwosidesincreasinglyreducedclothing,cheongsambecamepopularpreludetothecountry.传统旗袍（满族）从字义解，旗袍泛指旗人（无论男女）所穿的长袍，不过只有八旗妇女日
5、常所穿的长袍才与后世的旗袍有着血缘关系，用作礼服的朝袍、蟒袍等习惯上己不归为“旗袍”的范畴。从顺治、嘉庆年间屡次颁布的禁令中，满族女子违禁仿效汉族妇女装束的风气之盛。至清后期，亦有汉族女子效仿满族装束的。满汉妇女服饰风格的悄相交融，使双方服饰的差别日益减小，遂成为旗袍流行全国的前奏。ThelateQingDynasty,flagdresswornbywomen清朝后期，旗女所穿的长袍ChinaNationalFlagrobeRepublicofChina,settingoffawaveofthefeministmovement,seekingtheliberation
6、ofthesocialclimateandcleanedupthestereotypesondressclothes,tendtosimple,eleganttoneandstrivetopayattentiontoreflectthenaturalbeautyofwomen.Dressvestsinitiallyintheform,lengthanddorsalvest,plustheDuanaoon.IssaidtobeanewtrendoffemalestudentsisthecheongsaminShanghaibeforethepopularfigurine
7、s.Femalestudentsatthetimeasarepresentativeoftheknowledgeofwomen,becometheidealimage,theyareasymbolofcivilization,aleaderinfashion,celebritiesandevenpeopleallhaveforfashionabledressoffemalestudents.民国旗袍民国时期,掀起了一股女权运动浪潮，寻求解放的社会大气候荡涤着服饰妆扮上的陈规陋习，趋向于简洁，色调力求淡雅，注重体现女性的自然之美。旗袍最初是以马甲的形式
