中国电影的后现代特征与价值(post modern features and values of chinese movies)

中国电影的后现代特征与价值(post modern features and values of chinese movies)

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时间:2018-03-31

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1、中国电影的后现代特征与价值(PostmodernfeaturesandvaluesofChinesemovies)PostmodernfeaturesandvaluesofChinesemoviesI.IntroductionFilmisaformofculture.Inthecontextofthepostmodernsociety,postmoderncinemaisacombinationofpostmodernismandmasscultureTheproductcameintobeing

2、,itisoftenassociatedwiththebusinesslogicofconsumersocietyandthehighlydevelopedscienceandtechnologymediatogether,adheringtothepostmoderncultureplane,withoutdepth,commercialization,replicationofthecharacteristics,blurringthelinebetweenthesecularandelega

3、nt,artandlifeexperience,thefilmfromtheperformanceofthecontent,reflectfromtheperspectiveofframestructure,andotheraspectsoftheimagelanguagedeconstructionandalienation."Totheextentthatthisisarevolutionarytypeoffilm,itrejectedtheabsolutenessofthetruthando

4、bjectivity,tomacronarrativeofmodernism,thewriter/directorIdenyGodnarrative,don'tbelieveeverything,tore-examinealltheattitudeofthesenseofsublimeandtragedyandasenseofmissionandsubversionfrom"I.Two,theconnotationofPostmodernismPostmodernism"thetheoryofpo

5、stmodernism,thereisnouniformpatternornomutuallycoherentpointofview,butitisdisorderlycombinationofsomanyideasofII,postmodernismasanewworldview,anewspiritandvaluesystem,apositiveinthereconstructionofthegraspthewayoftheworld,whichischaracterizedbymultina

6、tion,nocenter,antiauthority,scatteredandnodepth.Postmodernismisdeeplysuspiciousofholiness,order,convention,tradition,andevenallconceptsandsymbols.ItnotonlydoubtsromanticUtopia,doubtstherealismofrealism,andevendoubtsallkindsofintenseemotionscontainedin

7、Modernism:anxiety,loneliness,unspeakabledespairandmetaphysicalquestioning.Forpostmodernism,anydepthisimposedbythepeopleforacertainpurposeandisthereforesuspect.Thus,thedismantlinganddissolutionofdepthhasbecomeatypicalfeatureofpostmodernism.Three,thepos

8、tmodernfeaturesofChinesefilms(1)dispellingmetadiscourse"Inthepostmodernstate,Liottathoughtthatmetadiscourseandgrandnarrativeweremeaninglessandpointedoutthattodayistheeraof"metadiscourse".Inthefifthgenerationofdirectorsthere,orpublicityofthemai

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