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1、MovieTitleTranslationUndertheGuidanceofSkoposAbstract：Withthedevelopingoflivingstandard,thefilmasaformofspirituallifehasbeenapartofourlife.Asanintegralpartofthemovie,themovietitletranslationhasbecometheprimarytask.Thetranslationoffilmproductshasbecometheinternationalculturalexc
2、hange,andithasreceivedmoreandmoreattentionofscholarsinthetranslationfield.Forthestudyoftranslationoffilmtitles,skopostheoryputforwardbyHansVermeerbecomethecoretheoryofthefunctionaltranslationtheory,whichisthesuitableguidingmethod.Itnotonlyfromthelanguagelevelpaysattentiontotran
3、slation,butalsostressestheimportantroleofthetranslatorandculture.ThisarticleintroducestheresearchsignificanceEnglishstatusChinesetranslationofmovietitlesandthegeneralsituationofSkopostheory.Itisconcludedthattheskopostheoryhashisownimperfections,butinthetranslatorsknowthetransla
4、tionpurpose,thetranslatorcaneffectivelyguidethegoodmovietitletranslationwork.Itcaneffectivelyguidethemovietitletranslationworkundertheconditionthatthetranslatorsknowthepurposeoftranslation.KeyWords:movietitles;skopos;translationmethods19浅谈目的论与电影片名翻译摘要:随着物质生活的日益提高，电影作为精神生活的一种形式已
5、经走入人们的日常生活里。作为电影一个不可缺少的组成部分，电影片名的翻译就成为了首要任务。电影产品的翻译己经成为国际间文化交流重要的组成部分，受到了越来越多的翻译界学者的关注。对于电影片名的翻译研究，在所提出的翻译理论中，汉斯维米尔提出的翻译目的论成为功能翻译理论的核心理论，是一种适合片名翻译的指导方法。它不仅从语言的层面去关注翻译，同时也强调了译者和文化的重要作用。本论文介绍了英文电影片名汉译的现状及翻译目的论的概况。文章最后得出结论是翻译目的论虽然有其不完善的地方，但在译者知道译文目的的情况下，能够有效地指导译者做好电影片名的翻译工作。关键词:电影
6、片名；目的论；翻译方法191IntroductionAccordingtostatistics,theannual100-200DepartmentChinaimportedfilms,mostofthemareEnglishfilm.BecauseoftheculturaldifferencesbetweenEnglishandChinese,thetranslationoffilmworkisnotasimplematter.Atpresent,filmtranslationhasmadesomedevelopment,butasanimport
7、antpartoffilmtranslation,researchworkinfilmtitletranslationisstillfarfromenough.Filmtitletranslationisanimportantandcreativework,bettertranslationforthefilmtheicingonthecake,playadecisiveroleinthepromotionofthenewfilmin.Withthe1995Americanblockbuster"thefugitive"(TheFugitive)of
8、theintroduction,thenEnglishfilmshaveenteredtheChina,ma
